The incredible true story of Marie Sklodowska-Curie and her Nobel Prize-winning work that changed the world. Drama, Horror, Mystery. Robert Zemeckis Stars: | Plummeting down a rabbit hole of confusion, longing, regret and grief, I’m Thinking of Ending Things is a film of careening left turns. Rose Byrne, | Also fixing its gaze on a one-legged chicken cautiously trudging through tall grass, and a herd of cows whose dark, mysterious eyes gaze intently at the camera, Kossakovsky’s dialogue-free portrait conveys essential truths about survival, togetherness and love through protracted takes that creep around and alongside its four-legged subjects. As envisioned by writer/director Eliza Hittman (Beach Rats), Autumn’s with-child circumstance leads to a harrowing ordeal of uncomfortable doctor visits, financial anxieties, and incessant indignities suffered at the hands of men, be it sexually harassing classmates, her drunk and uncaring father (Ryan Eggold), or a boy (Théodore Pellerin) she and Skylar meet on the bus to Manhattan. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Pat Healy, R Stars: A musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself. Though the results aren’t as dynamic as their prior collaboration, Coppola’s fizzy romantic drama nonetheless finds its headliner in outstanding form as Felix, the suave ladies-man father to Laura (Rashida Jones), with whom he embarks on an investigation into the possible two-timing proclivities of her husband Dean (Marlon Wayans). Clea DuVall A famous horror writer finds inspiration for her next book after she and her husband take in a young couple. Ordered to restore his homeland’s reputation (which he ruined with the first film) by gifting a famed monkey to Vice President Mike Pence, Borat winds up accompanied by his stowaway 15-year-old daughter Tutar (Maria Bakalova) on another cross-country odyssey that entails making pit-stops at stores, debutante balls and white nationalist rallies (where he leads sing-alongs that reveal the hatred of those in attendance). 90 min Animation, Adventure, Comedy. | Elisabeth Moss, While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. A homeschooled teenager begins to suspect her mother is keeping a dark secret from her. Check out December 2020 movies and get ratings, reviews, trailers and clips for new and popular movies. Francis Lee Politics are chaotic, combative and undertaken by both true believers and amoral schemers—a state of affairs depicted in starkly microcosmic terms by Boys State. Only one food platform and two minutes per day to feed. | | daughter. | | X-Men was one of the films that started the superhero craze that’s dominating cinema today. A teenager living with her working-class family on a council estate in Wolverhampton, England, grows up to become a popular but conflicted music journalist. 95 min Ned Dennehy, Tom Hanks, That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. Jesse Eisenberg, Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Stars: Director: Julia Louis-Dreyfus, 131 min By the time the filmmakers’ story begins, urban 13-year-old Ahmed (newcomer Idir Ben Addi) has already been indoctrinated by a jihad-encouraging imam (Othmane Moumen). 123 min As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession. In his final screen performance, Boseman matches his co-headliner’s intensity, his Levee so full of vibrant, self-destructive fury, desire and life that it’s a tragedy the performance stands as the late actor’s swan song. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.Watch Now. Matt Smith, PG-13 All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. 102 min | Tom Holland, Ariel Schulman Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. Director: It’s Winslet, though, who carries the day, exuding so much repressed longing that she – and the film – practically explode during those rare moments of romantic release. Samara Weaving, R Stars: Aneesh Chaganty McDormand constructs a towering performance from subtle gestures and expressions, her Fern at once a part of the expansive landscapes in which she roams—and the band of fellow nomads she befriends, including David (David Strathairn)—and yet also separate from them. Director: Seth Rogen, Dick Johnson is Dead is a daring masterpiece about the loss of loved ones, and of memory, and the movies’ ability—and, also, inability—to make the impermanent permanent. Carlo Kitzlinger, R Antonia San Juan, 108 min $53.80M, PG-13 Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. Hey it's been a tough year. | Gross: Kayla Dube. Anya Taylor-Joy, Stars: A nearly three-hour black-and-white odyssey through allegorical Holocaust horrors, Václav Marhoul’s The Painted Bird isn’t for the faint of heart. Still, in an ironic twist, the real draw of this tribute to writers is Fincher’s remarkable directorial artistry. Clémence Poésy, Penetration, invasion, corruption and control are all part of this sinister techno-stew, which drenches itself in reflective mirror imagery, sexualized carnage and color-filtered visions of conjoined faces tearing apart from each other. Stars: | As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. Ralph Berkin, PG Rachel Lee Goldenberg | Director: Stars: Michael Banks Repeta, PG-13 Ivan Massagué, | Leslie Odom Jr. R Drama, Horror, Thriller. David Fincher Mary Steenburgen, Netflix Hulu Disney+ Prime Video Apple TV+ Favorite Events Tweet Share Email Watching free movies online is a convenient and frugal way to see the films you love right from the comfort of your own home. Director: Michelle Dockery, Home is where the Devil is in The Dark and the Wicked, as siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) discover upon returning to their parents’ rural farm to tend to their ailing bed-ridden father (Michael Zagst) and distraught mother (Julie Oliver-Touchstone). Eddie Redmayne, August Diehl, Keeley Hawes, R | | Elizabeth Marvel, R As we are already done with a few months of 2020, now is the time to get started with the An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. Bo Burnham, Stars: A holiday romantic comedy that captures the range of emotions tied to wanting your family's acceptance, being true to yourself, and trying not to ruin Christmas. Rosamund Pike, Mirjam Novak, Attuned to the rhythms of the road and the alternately harsh and inviting (and awe-inspiring) terrain of the Midwest, and populated by a host of excellent non-professional actors, Zhao’s film is a a poetic Malickian ode to the pioneering nature of the restless American spirit. Janina Gavankar, | Action, Adventure, Comedy. Steve Carell, Biography, Drama, Romance. There’s gnarly, unnerving texture to everything in this unhinged film, which fragments and reforms like a nightmare born from the darkest recesses of the mind. 124 min The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. | | Biography, Drama, Romance. | | 91 min Kitty Green’s The Assistant is the first great #MeToo film, a scathing look at the mundane day-to-day ways in which gender-imbalanced abuse and unfairness are built into workplace systems. Director: When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other. Follow-up film to the 2006 comedy centering on the real-life adventures of a fictional Kazakh television journalist named Borat. | Stars: 114 min Eli Goree, | Sope Dirisu, James McArdle, PG-13 Every product was carefully curated by an Esquire editor. Tom Pelphrey, R The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Faced with this unexpected and debilitating turn of events, Ahmed’s Ruben is forced by his bandmate/partner Lou (Olivia Cooke) to leave their tour and park his Airstream trailer at a home for the deaf run by generous but stern Joe (Paul Raci). Gal Gadot, Wunmi Mosaku, Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. Since said predator isn’t visible to the human eye, however, that’s not an easy task. Jake Horowitz, In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. Keanu Reeves, Wayne Duvall, TV-MA Bolstered by Dirisu and Mosaku’s heartfelt turns as lost souls desperate for forgiveness and peace, it’s a film whose haunting, dreamlike terror proves an expression of lingering trauma. The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. Stars We've Lost in 2020. | Gross: Action, Crime, Sci-Fi. | | Staged on a massive scale, overflowing with nattily dressed heroes and villains, and set to an unnervingly blaring electronica score by Ludwig Göransson, it’s a temporally wonky spectacular to be experienced rather than lucidly understood. Davis has rarely been better as the take-no-shit Ma, staring down anyone who might question her authority – including her manager (Jeremy Shamos) and the studio’s owner (Jonny Coyne) – with a glare that would fell an angel. Stars: Dónal Finn, 90 min Omid Memar, Refine See titles to watch instantly, titles you haven't rated, etc. | A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path. Although most were viewed on inadequately small screens, the legion of fiction and non-fiction releases that helped us cope with our pandemic-wracked reality delivered welcome doses of excitement, drama, terror, and humor. We may earn a commission from these links. Stars: Tina Fey, Enlivened by an intoxicating feel for Rome’s nocturnal streets, periodically segueing into fantasy sequences, and vacillating on a dime between laid-back romanticism and anxious volatility, the film refracts its maker’s highly personal hang-ups through an intense and immediate lens. Christopher Renz | | Cookie and King Lu’s attempt to rise above their socio-economic station through a criminal scheme, and the potential disaster that awaits them, is the suspenseful heart of this tranquil quasi-thriller, which – awash in redolent faces, gestures and customs – imparts an understated impression of the forces propelling its characters, and the pioneering nation, forward. Alice Braga, PG Pedro Pascal, PG-13 Round and round the romantic entanglements go, not only for these three characters but a host of others that de Wilde and screenwriter Eleanor Catton faithfully delineate in clean, bright brushstrokes. Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). Christopher Landon A gentle film that radiates overpowering compassion for its characters and their plights, writer/director Lee Isaac Chung’s Minari charts the 1980s endeavor by Korean husband/father Jacob Yi (Steven Yeun) to make something of himself by starting a farm in rural Arkansas – an American dream that worries his wife Monica (Han Ye-Ri), and poses challenges for his daughter Anne (Noel Kate Cho) and son David (Alan Kim), the latter of whom suffers from a potentially fatal heart condition. It's been a lonely year. 123 min Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. | Less a definitive answer to the question “Who deserves credit for Citizen Kane?” than a fictional drama about Herman J. Mankiewicz’s struggle to complete his most famous screenplay in a Hollywood torn between art and commerce, David Fincher’s Mank is a poison pen letter to the golden-age era that it channels with every one of its gorgeous chiaroscuro images, Bernard Herrmann -esque soundtrack notes, and artificial reel-change cigarette burns. 174 min Peter Gallagher, See titles to watch instantly, titles you haven't rated, etc. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. Henry Joost, Ruben is a recovering junkie whose quest to regain his auditory senses is its own form of addiction, and Ahmed embodies him with equal parts ferociousness and anguish. | It’s a muted and moving snapshot of men searching for a second wind in reckless fashion, and as Martin, Mikkelsen delivers one of the finest performances of his career, veering between numbness, regret, doubt and—in that astounding climax—liberating release. Rich in agonized angst and formal flourishes, it’s a masterwork of unhinged tone, as well as a showcase for Buckley, whose grand performance covers an expansive stretch of emotional terrain. Directors: In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. | Director: Action, Thriller. 88 min | Disaffection and sorrow hover over Tesla, Michael Almereyda’s daringly unconventional film about the famed nineteenth-century inventor. Acting doesn’t come much bolder and more blistering than in Ma Rainey’s Black Bottom, George C. Wolfe’s adaptation of August Wilson’s 1982 play about a 1927 Chicago recording session by real-life blues legend Ma Rainey (Viola Davis) and her backing band, comprised of trombonist Cutler (Colman Domingo), bassist Slow Drag (Michael Potts), pianist Toledo (Glynn Turner) and trumpeter Levee (Chadwick Boseman). | Autumn de Wilde Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. With City Hall, 90-year-old documentarian Frederick Wiseman trains his critical eye on the city of Boston and the many civic institutions and organizations that keep it running. Celeste O'Connor, Sinister characters converge around a young man devoted to protecting those he loves in a postwar backwoods town teeming with corruption and brutality. Helmed with playful menace by Leigh Whannell, whose camerawork and compositions constantly tease subtle action in the corners of the frame, this slick genre effort finds Elisabeth Moss trying to convince anyone who’ll listen that she’s not crazy, and really is being hunted by her supposedly dead abusive boyfriend. Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). A guy relies on his newly-acquired gladiator skills to save his ex-girlfriend from kidnappers. Director: | Nonetheless, amidst such incessant, graphic cruelty, compassion fleetingly materializes in the form of a kindly priest (Harvey Keitel), a Nazi soldier (Stellan Skarsgård) and a Russian sniper (Barry Pepper) who teaches him about “eye for an eye” justice. As with his prior Black Coal, Thin Ice, Chinese director Diao Yinan’s The Wild Goose Lake has a coiled intensity that amplifies its romantic fatalism. Kristin Scott Thomas, Courtesy of Ma’s demanding diva imperiousness and Levee’s cock-of-the-walk arrogance, the session becomes a powder keg whose fuses are related to African-American oppression, ambition and music-industry exploitation. Action, Comedy, Crime. | Stars: Jack Huston, R 118 min | Octavia Spencer, Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. | When a young mother's home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss. | Director: Ben Affleck, That’s as arduous a job as Tolontan’s quest to speak truth to power, and the film traces both of their efforts during an election year in which the reforms they seek are threatened by an old guard that wants to return to the crooked past. Action, Horror, Sci-Fi. Determined to document her father’s decline, Johnson charts her time by her father’s side while simultaneously, and crazily, staging fanciful fictional scenarios involving his death—from getting hit on the head by a falling air conditioner, to being accidentally stabbed by a construction worker—as well as sequences of him reveling in a glittery heaven full of dancers wearing cardboard cut-outs of his, and his wife’s, younger visages. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Those jaw-dropping sights alone make Nelson’s latest a must-see. Stars: Diana must contend with a work colleague and businessman, whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing. Driveways isn’t simply one of the late Brian Dennehy’s final performances—it’s also one of his finest. Stars: John David Washington, Period Movies 2020 List: News of the World • Wonder Woman 1984 • 1917 • Mulan • Emma • True History of the Kelly Gang • The Secret Garden Harry Bradbeer Over the course of one sloshed 24-hour period, Bloody Nose, Empty Pockets evokes a pitch-perfect sense of its going-to-seed milieu and equally haggard visitors, with former actor-turned-floor sweeper Michael proving the weary epicenter of its laid-back action. Rarely has a film expressed so much bountiful love for its subject as Kirsten Johnson’s Dick Johnson is Dead does for its center of attention, Johnson’s elderly father Dick, a career psychologist who in 2017 begins suffering from the same sort of mental deterioration that consumed his Alzheimer’s-afflicted wife. Alex Sharp, Two elven brothers embark on a quest to bring their father back for one day. | Every performance is magnificent, but no one in the cast stands taller than the diminutive Kim, whose turn is irresistibly authentic and charming. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. “Handsome, clever and rich” is how Emma’s tagline describes its matchmaking heroine (Anya Taylor-Joy), but it’s also an apt summation of director Autumn de Wilde’s Jane Austen adaptation, which is energized by meticulous style, spirited wit and passionate emotions. Director: Denis O'Hare, Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. A famous Horror writer finds inspiration for her next book after she and Nobel. Writer/Director Jeffrey a Hulu-inspired streaming service for international territories: star past months. Surrounding the uprising at the lesser-than treatment they received from society sind Sie nie mehr im falschen film American. No one is going to judge you for curling up with the sexiest movies of 2020 movies, 2017 release... Perilous present 2020 lineup after all Tesla, Michael Almereyda ’ s sinuous, passionate indie is as as! 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